
My Philosophy on writing step descritions
AND
How to send dances for inclusion on my site
Everything you wanted to know about how I write my step descriptions and how you can get your dances posted to The ISDF.
First, few main points about my "philosophy" on writing your step description:
- Keep it as simple as you can without sacrificing clarity:
This applys to both the words you choose and the formating of your word processing file
- Do you ever step on any thing but your foot? On purpose? Then why use the word?
- In most instances the words "to" "on" and "the" just take up space and don't really add meaning
- "Step to the right side on the right foot"
- "Side step right"
- They say the same thing but my way takes half as much space
- "Side" with no other indication is to the side of the referenced foot
- "Across" means cross in front.
- "Behind" means cross in back.
- I don't step to the left with my right, I step across or behind
- I prefer the word "diagonal" to using clock positions
- I prefer "left" and "right" as opposed to "CCW" and "CW"
It's not a matter of understanding, it's just that my pea brain processes it faster
- Punctuation: toss proper sentance structure out the window
- "," separates whole beats of music
- "&" Indicates a half beat
- "and" indicates simultaniuous action
- Don't end a description line with a "," or a "." or anything
DANCE TITLE
- I try to discourage issuing dance descriptions with an AKA included with the name
We've got enough confusion in country dance without adding more from the beginning of a dance's life
CHOREOGRAPHER
- Include the following:
If you don't want to include all the contact info you MUST provide at least one so folks can get ahold of you.
- Name (if you use a "nickname" include your real name)
Even if you are know to most of the universe by a single name, please include your first and last names
- Address
- Phone number
- E-mail address
I'm told by many folks that they use the sheets from my site, as is, for handouts to their classes. Once your dance leaves the net, if someone down the line doesn't have net access, how will they find you
DESCRIPTION
- Count
This is the number of beats of music to complete a single repetition of the dance
- Walls
How many walls you face, at count 1, before restarting the dance at the original wall
- Dance Type
- Line dance (including contra)
- Line dance for singles and couples
- Usually only hand work and partner position is drasticly different
- Partner circle dance
- Whether any sanctioning body likes it or not, I recently began using the term "circle dance". To me it removes doubt about where the dance belongs
- Partners use same footwork and the dance could just as easily be done by an individual
- Strange as it sounds, TO ME, you don't need a partner to do a partner dance
- Couples circle dance
- Partners are on opposite feet and/or
- Partners steps are somewhat different
- Most dances I'd call a couples circle dance just doesn't seem to work by yourself
- Mixers
- Couples dance positions
I subscribe to the NTA defined couples/partner dance positions
- Example
Description: 64-count, 4-wall, line dance
- I'm not personally concerned with
- Number of steps:
Counting the steps means nothing TO ME, but the count IS REQUIRED
- Difficulty level:
I find it hard to find a scale most instructors/choreographers can agree on
I've seen far too many dancers discouraged from trying a dance they feel is above their "level"
MUSIC
- Identifying the rhythm can also be helpful
- All music selections should include tempos
- Including the CD can also be helpful if it's not some obscure compilation
- If the song you mention isn't mainstream country include an alterntive that is
- Example listing
HOW TO SEND DANCES FOR INCLUSION ON THE SITE
One negative by-product of the success of The Information Super Dance Floor is that I get more dances sent to me than I have time to keep up with.
With only 24 hours in a day, and for some strange reason I keep wanting to sleep for at least a few of them, time is a major concern. Effort is another. What seems like a simple thing, when multiiplied by the nimber of dances I receive becomes too much to handle.
On average a dance that arrives in near perfect condition for posting takes about 10 minutes to preapre (build the page itself, link it to the stepsnew page, and to it's alpha index page, and if it's a couples/partner dance, to the stepsprt page.
I have no set system that gets one dance posted to the site, while another sits on the disk drive. But all else being equal, my loose set of priorities goes something like:
- Prepare for my classes
- Select the dances, teach myself, select music
- This would include working on the dances that catch my attention from the net (a very small percentage)
- General maintenance of my site including the hosted home pages, CDX, NTA, and CDs pages
- Dances sent by those for whom I host pages
- Dances sent by site financial supporters
- Dances sent to me directly (and not simultanenously to the line dance mail list)
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- Dances sent to the line dance mail list don't generally make it out of my archinve directory unless they GRAB my attention, area really easy to prepare for the site, or I get a request from someone who warrants priority
This information is provided so you can help me by getting your dance to me in as "clean" a condition as possible, thus increasing the chance that I'll get to it in a more reasonable time frame.
While it's not imperitive that you follow the above "philosophy" to the letter, it should be noted that among the last major influences on how I write my step descriptions, was how well the sheet will look on the net with minimal changes.
There are some limitations to coding pages in html (hypertext markup language) that we don't face in out powerful word processors. Actually Windows Wordpad is a power house compared to the problems in html. The biggest of these is the inability to set tabs. This makes coding couples dances a REAL headache. I've spent 3 hours on a single dance trying to make it look "just so".
If you can send your in Word, Works, or WordPerfect, as an email attachment,
it helps because when you send dance as text, email has the dirty habit of stripping the tabs in favor of, sometimes, seemingly random groups of spaces
If you don't use one of these programs, then cut and paste it into the body of a message, send it on to me, and I'll just have to fight the spaces.
The following layout tips are aimed at reducing how much additional work I need to do to make your dance look good on the net. Not all are really super important but the closer you get to my style the better for me and in the long run for you.
LETTER CASING: I prefer
- DANCE TITLE IN UPPER CASE
- Song Titles, Names, Etc In Title Case
now for a general layout
no spaces in front of the count, and no spaces within the count:
1-2
not
1 - 2
A single tab between the count and the description:
I've received many sheets with multiple tabs and can only assume it's done for
alignment. Your word processor should be able to adjust tabs so you can have
cleaner look without resorting to double tabs
Keep the description to 2 counts per line
If a line overflows break it down and take the number with it
1 Step forward RIGHT
2 Step forward LEFT
vs
1-2 Step forward RIGHT
Step forward LEFT
If a triple step can be kept on a singel line, fine, otherwise I like to see it
broken like this
1 Step forward LEFT
&2 Step RIGHT instep to left heel, step forward LEFT
If you use a cue line make it in all CAPS. Keep the cue line on a single line
I like to out the 8-count cue on a single line, but if it doesn't work devide it
by 4s
If you use 1-8 on every description phrase put a sequence count in your cue line
If you use a progressive numbering then don't put the sequence numbers in
DANCE DESCRIPTION: I PREFER to see the description of the dance written like
this, because that's how I'll change it if it's not
Description: 64-count, 4-wall, line dance
HOWEVER if you don't want to write it this way AT LEAST include all the info.
I'm not concerned about difficulty level 'cause I often find people don't judge
difficulty from the same view, if you include it, I'll keep it with the dance,
but the level won't be listed in the index.
I also don't care about the number of steps in a dance, it means nothing TO ME. Count is the number of beats of music it takes to complete 1 cycle of the dance.
using a line befoer the step description that says
COUNT DESCRIPTION
Only take up an additional line that could force the dance to a second page when printed.
DO NOT SEND ME DANCES BY THAT MOST PROLIFIC OF CHOREOGRAPHERS - UNKNOWN.
IF YOU SEND ME A DANCE WITH AN ODD NUMBER OF COUNTS - TELL ME IT'S BECAUSE IT WAS WRITTEN FOR A SPECIFIC SONG.
I'll never teach it and often this fact can drive a dance to the bottom of the archive pile.
Remember, quite often, puting your dance on my site is a favor I'm doing for you. So doing me a favor and structuring it so I have the least amount of hair to pull is best for both of us.
And don't forget to show your gratitude for all the hard work I do on your dance by teaching one of mine (I'm sure there's something there you'll like) (giggle)
thanks: